ESC

Clarivate

JCR Category: Business in ESCI edition

Entrepreneurship and Sustainability Issues Open access
Journal Impact FactorTM (2023) 1.2 Q4
Journal Citation IndicatorTM (2023) 0.33 Q3
Received: 2022-03-18  |  Accepted: 2022-06-25  |  Published: 2022-09-30

Title

Peculiarities of values transfer among countries via arts digitalization


Abstract

The aesthetic experience digitalisation influences the capacity of artistry and creativity of the artwork and the quality of participation in arts. Due to cultural differences between post-communist and non-communist countries’ citizens in perception qualities, this research aims to evaluate the influence of the participation form (in-real or digital) in the aesthetic situation by the receivers from post-communist and non-communist societies on artistry and creativity potential in the context of cultural and social sustainability. The quality of participation in five arts types (musical, performing, literary, audio-visual, visual) was evaluated using the same ten criteria. Qualitative data analysis based on an international sample from 38 countries (n = 221) concludes that the participation form in arts determines participation quality level in the aesthetic situation by post-communist and non-communist countries’ receivers differently. There are significant cultural determinants among post-communist and non-communist countries’ citizens between participation in particular arts and between particular forms of participation in particular types of arts. The reasons for these differences cannot be drawn from this research; however, future comparative qualitative research directions are set. The research results, in the context of the political system transformation theory as one of the sustainable development features, should gain the interest of: 1) Art creators looking for the optimal and sustainable way of distributing artworks among receivers from post-communist and non-communist countries; 2) Art managers and marketers for deeper understanding of post-communist and non-communist art receivers’ perspectives and their preferences about participation in arts in-real or digitally towards sustainable development; 3) Art receivers to compare their opinion about the ways of sustainable participation in arts with the preferences of art receivers from post-communist and non-communist countries.


Keywords

cultural differences, sustainability, creativity, artistry loss, participation in arts, arts management, aesthetics, aesthetic situation, receiving process, art perception


JEL classifications

J16 , P52 , Z10 , Z11


URI

http://jssidoi.org/jesi/article/982


DOI


Pages

10-49


Funding


This is an open access issue and all published articles are licensed under a
Creative Commons Attribution 4.0 International License

Authors

Szostak, Michał
University of Social Sciences, Lodz, Poland http://en.san.edu.pl
Articles by this author in: CrossRef |  Google Scholar

Journal title

Entrepreneurship and Sustainability Issues

Volume

10


Number

1


Issue date

September 2022


Issue DOI


ISSN

ISSN 2345-0282 (online)


Publisher

VšĮ Entrepreneurship and Sustainability Center, Vilnius, Lithuania

Cited

Google Scholar

Article views & downloads

HTML views: 1409  |  PDF downloads: 806

References


Arkhangelsky, A. N., & Novikova, A. A. (2021). A Transmedia Turn in Educational Strategies: Storytelling in Teaching Literature to School Students. Voprosy Obrazovaniya, 2021(2), 63–81. https://doi.org/10.17323/1814-9545-2021-2-63-81

Search via ReFindit


Bartlová, M. (2019). 1968: In Search of “Socialism with Human Face” in Czech Art History. Artium Quaestiones, 30, 225–236. https://doi.org/10.14746/aq.2019.30.11

Search via ReFindit


Birch, S. (2003). Electoral Systems and Political Transformation in Post-Communist Europe. In Electoral Systems and Political Transformation in Post-Communist Europe. https://doi.org/10.1057/9781403938763

Search via ReFindit


Buravenkova, Y., Yakupov, R., Samsonovich, A. V., & Stepanskaya, E. (2018). Toward a virtual composer assistant. Procedia Computer Science, 123, 553–561. https://doi.org/10.1016/j.procs.2018.01.084

Search via ReFindit


Craig, S. L., Eaton, A. D., Pascoe, R., Egag, E., McInroy, L. B., Fang, L., Austin, A., & Dentato, M. P. (2020). QueerVIEW: Protocol for a technology-mediated qualitative photo elicitation study with sexual and gender minority youth in Ontario, Canada. JMIR Research Protocols, 9(11). https://doi.org/10.2196/20547

Search via ReFindit


Doğan, Y. B., Akar, H., & Üstüner, M. (2019). Examining the measurement invariance of the teachers’ sense of self-efficacy scale in terms of gender. International Journal of Evaluation and Research in Education, 8(2), 213–220. https://doi.org/10.11591/ijere.v8i2.18694

Search via ReFindit


Dube, T. J., & İnce, G. (2019). A novel interface for generating choreography based on augmented reality. International Journal of Human Computer Studies, 132, 12–24. https://doi.org/10.1016/j.ijhcs.2019.07.005

Search via ReFindit


Dunne-Howrie, J. (2020). Documenting performance: the contexts & processes of digital curation and archiving. International Journal of Performance Arts and Digital Media, 16(2), 217–218. https://doi.org/10.1080/14794713.2020.1778840

Search via ReFindit


Ekmekçi, A. K., Teraman, S. B. S., & Acar, P. (2014). Wisdom and Management: A Conceptual Study on Wisdom Management. Procedia - Social and Behavioral Sciences, 150, 1199–1204. https://doi.org/10.1016/j.sbspro.2014.09.135

Search via ReFindit


Fancourt, D., Baxter, L., & Lorencatto, F. (2020). Barriers and enablers to engagement in participatory arts activities amongst individuals with depression and anxiety: Quantitative analyses using a behaviour change framework. BMC Public Health, 20(1). https://doi.org/10.1186/s12889-020-8337-1

Search via ReFindit


Fortuna, P., & Modliński, A. (2021). A(I)rtist or Counterfeiter? Artificial Intelligence as (D)Evaluating Factor on the Art Market. Journal of Arts Management Law and Society, 51(3), 188–201. https://doi.org/10.1080/10632921.2021.1887032

Search via ReFindit


Golob, T., & Makarovič, M. (2017). Self-organisation and Development: A Comparative Approach to Post-communist Transformations from the Perspective of Social Systems Theory. Europe - Asia Studies, 69(10), 1499–1525. https://doi.org/10.1080/09668136.2017.1399198

Search via ReFindit


Gołaszewska, M. (1984). Zarys estetyki. PWN.

Search via ReFindit


Guidry, K. R. (2014). Non-Response Bias on Web-Based Surveys as Influenced by the Digital Divide and Participation Gap Kevin R. Guidry Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in. In ProQuest Dissertations and Theses.

Search via ReFindit


Guo, L., Lu, R., Zhang, H., Jin, J., Zheng, Z., Wu, F., Li, J., Xu, H., Li, H., Lu, W., Xu, J., & Gai, K. (2020). A Deep Prediction Network for Understanding Advertiser Intent and Satisfaction. International Conference on Information and Knowledge Management, Proceedings, 2501–2508. https://doi.org/10.1145/3340531.3412681

Search via ReFindit


Gupta, S. (2010). Conceptualising the art of communist times. Third Text, 24(5), 571–582). https://doi.org/10.1080/09528822.2010.502775

Search via ReFindit


Habelsberger, B. E. M., & Bhansing, P. V. (2021). Art Galleries in Transformation: Is COVID-19 Driving Digitisation? Arts, 10(48), 1–23. https://doi.org/10.3390/arts10030048

Search via ReFindit


Handa, J. (2020). Impact of Social Media and Digitalization on The Growth of Fashion Designers. International Journal of Textile and Fashion Technology (IJTFT), 10(1), 1–12. http://www.tjprc.org/view-archives.php?keyword=&from_date=&to_date=&id=&jtype=2&journal=29&page=11

Search via ReFindit


Hobbs, R., & Tuzel, S. (2017). Teacher motivations for digital and media literacy: An examination of Turkish educators. British Journal of Educational Technology, 48(1), 7–22. https://doi.org/10.1111/bjet.12326

Search via ReFindit


Hofstede, G. (2011). Dimensionalizing Cultures: The Hofstede Model in Context. Online Readings in Psychology and Culture, 2(1), 3–26. https://doi.org/10.9707/2307-0919.1014

Search via ReFindit


Hornat, J. (2019). Democratization through education? Theory and practice of the Czech post-revolution education system and its reforms. Communist and Post-Communist Studies, 52(3), 271–281. https://doi.org/10.1016/j.postcomstud.2019.08.003

Search via ReFindit


Hracs, B. J. (2015). Cultural Intermediaries in the Digital Age: The Case of Independent Musicians and Managers in Toronto. Regional Studies, 49(3), 461–475. https://doi.org/10.1080/00343404.2012.750425

Search via ReFindit


Jackson, K. (2017). Where qualitative researchers and technologies meet: Lessons from interactive digital art. Qualitative Inquiry, 23(10), 818–826. https://doi.org/10.1177/1077800417731086

Search via ReFindit


Jarrier, E., & Bourgeon-Renault, D. (2019). The role of digital mediation devices in the satisfaction of art museum audiences. Le Rôle Des Dispositifs Numériques de Médiation Dans La Satisfaction Des Publics de Musée d’art., 5(3), 67–84. https://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=146420604&lang=es&site=ehost-live

Search via ReFindit


Jovanovic, M., Dlacic, J., & Okanovic, M. (2019). How does the digitalization impact society’s sustainable development? Measures and implications. Economics of Digital Transformation, 299–316.

Search via ReFindit


Kaljula, L. (2015). Art and Democracy in Post-communist Europe. European Journal of Cultural and Political Sociology, 2(1), 83–87. https://doi.org/10.1080/23254823.2015.1081827

Search via ReFindit


Karayilanoğlu, G., & Arabacioğlu, B. C. (2020). Digital interactive experiences in contemporary art museums. Turkish Online Journal of Design Art and Communication, 10(4), 423–440. https://doi.org/10.7456/11004100/007

Search via ReFindit


Kozieł, A. (2019). Under the Pressure of ‘Polonization’’ Ideology: Renaissance and Baroque Art in Silesia in the Works of Polish Art Historians after 1945*.’ RIHA Journal, 2019(SpecialIssue1), 1–22. https://doi.org/10.11588/RIHA.2019.1.70046

Search via ReFindit


Kreuzer, M., & Pettai, V. (2003). Patterns of political instability: Affiliation patterns of politicians and voters in post-communist Estonia, Latvia, and Lithuania. Studies in Comparative International Development, 38(2), 76–98. https://doi.org/10.1007/BF02686269

Search via ReFindit


Kröner, S., Christ, A., & Penthin, M. (2021). Digitalization in aesthetics, arts and cultural education—a scoping review. Zeitschrift Fur Erziehungswissenschaft, 24(1), 9–39. https://doi.org/10.1007/s11618-021-00989-7

Search via ReFindit


Kuc-Czarnecka, M. (2020). COVID-19 and digital deprivation in Poland. Oeconomia Copernicana, 11(3), 415–431. https://doi.org/10.24136/OC.2020.017

Search via ReFindit


Lee, H. J. (2011). Book Reviews: Joystick Soldiers: The Politics of Play in Military Video Games. Journal of Communication Inquiry, 35(3), 295–299. https://doi.org/10.1177/0196859911415408

Search via ReFindit


Lei, P., & Tan, E. B. (2021). Applying Digital Arts Experience to Strengthen the Organizational Culture in Higher Education During the Pandemic. International Journal for Innovation Education and Research, 9(5), 169–173. https://doi.org/10.31686/ijier.vol9.iss5.3080

Search via ReFindit


Literat, I. (2012). The Work of Art in the Age of Mediated Participation: Crowdsourced Art and Collective Creativity. International Journal of Communication, 6, 2962–2984.

Search via ReFindit


Mao, T., & Jiang, X. (2021). The Use of Digital Media Art Using UI and Visual Sensing Image Technology. Journal of Sensors, 2021. https://doi.org/10.1155/2021/9280945

Search via ReFindit


Mikloš, I. (2021). Three Models of Post-Communist Transformation and Lessons Learned. Central European Business Review, 10(2), 43–61. https://doi.org/10.18267/J.CEBR.277

Search via ReFindit


Modliński, A., & Pinto, L. M. (2020). Managing substitutive and complementary technologies in cultural institutions: Market/mission perspectives. Management (Croatia), 25(Special Issue), 1–10. https://doi.org/10.30924/mjcmi.25.s.2

Search via ReFindit


Mondejar, M. E., Avtar, R., Diaz, H. L. B., Dubey, R. K., Esteban, J., Gómez-Morales, A., Hallam, B., Mbungu, N. T., Okolo, C. C., Prasad, K. A., She, Q., & Garcia-Segura, S. (2021). Digitalization to achieve sustainable development goals: Steps towards a Smart Green Planet. In Science of the Total Environment (Vol. 794). https://doi.org/10.1016/j.scitotenv.2021.148539

Search via ReFindit


Nawa, L. L., & Sirayi, M. (2014). Digital technology and cultural heritage sites in the city of Tshwane. Journal of Arts Management Law and Society, 44(4), 246–257. https://doi.org/10.1080/10632921.2014.964384

Search via ReFindit


Park, H. J., & Lim, K. H. (2015). A study on experiential digital art user experience. International Journal of Multimedia and Ubiquitous Engineering, 10(4), 379–386. https://doi.org/10.14257/ijmue.2015.10.4.36

Search via ReFindit


Pavlica, K., & Thorpe, R. (1998). Managers’ Perceptions of their Identity: A Comparative Study between the Czech Republic and Britain. British Journal of Management, 9(2), 133–149. https://doi.org/10.1111/1467-8551.00079

Search via ReFindit


Pianzola, F., Toccu, M., & Viviani, M. (2021). Readers’ engagement through digital social reading on Twitter: the TwLetteratura case study. Library Hi Tech, 1–17. https://doi.org/10.1108/LHT-12-2020-0317

Search via ReFindit


Pöppel, J., Finsterwalder, J., & Laycock, R. A. (2018). Developing a film-based service experience blueprinting technique. Journal of Business Research, 85, 459–466. https://doi.org/10.1016/j.jbusres.2017.10.024

Search via ReFindit


Proksch-Weilguni, S. (2019). Performing art history: continuities of Romanian art practices in post-communist performance. Journal of Contemporary Central and Eastern Europe, 27(1), 99–120. https://doi.org/10.1080/25739638.2019.1643076

Search via ReFindit


Quattrini, R., Pierdicca, R., Paolanti, M., Clini, P., Nespeca, R., & Frontoni, E. (2020). Digital interaction with 3D archaeological artefacts: evaluating user’s behaviours at different representation scales. Digital Applications in Archaeology and Cultural Heritage, 18. https://doi.org/10.1016/j.daach.2020.e00148

Search via ReFindit


Raimo, N., De Turi, I., Ricciardelli, A., & Vitolla, F. (2021). Digitalization in the cultural industry: evidence from Italian museums. International Journal of Entrepreneurial Behaviour and Research. https://doi.org/10.1108/IJEBR-01-2021-0082

Search via ReFindit


Rasmussen, M. B. (2021). The Aestheticisation of Late Capitalist Fascism: Notes for a Communist Art Theory. Third Text, 35(3), 341–354. https://doi.org/10.1080/09528822.2021.1916268

Search via ReFindit


Rikou, E., & Chaviara, I. (2016). “Crisis” as art: Young artists envisage mutating Greece. Visual Anthropology Review, 32(1), 47–60. https://doi.org/10.1111/var.12092

Search via ReFindit


Rivas-Carmona, M. del M. (2020). The power of (Re)creation and social transformation of binomial “art-technology” in times of crisis: Musical poetic narrative in Rozalén’s “lyric video” “aves enjauladas.” In Cultura. International Journal of Philosophy of Culture and Axiology (Vol. 17, Issue 2, pp. 217–231).

Search via ReFindit


Roberge, J., & Chantepie, P. (2017). The Promised Land of Comparative Digital Cultural Policy Studies. In Journal of Arts Management Law and Society, 47(5), 295–299. https://doi.org/10.1080/10632921.2017.1398584

Search via ReFindit


Rusinko, M. (2020). In the “public interest”? Dispossessing art collections in communist Czechoslovakia between 1948 and 1965. Acta Historiae Artis Slovenica, 25(1), 233–252. https://doi.org/10.3986/AHAS.25.1.10

Search via ReFindit


Sacco, P., Gargano, E. R., & Cornella, A. (2021). Sustainable Digitalization: A Systematic Literature Review to Identify How to Make Digitalization More Sustainable. IFIP Advances in Information and Communication Technology, 635 IFIP, 14–29. https://doi.org/10.1007/978-3-030-86614-3_2

Search via ReFindit


Schiuma, G. (2017). Arts catalyst of creative organisations for the fourth industrial revolution. Journal of Open Innovation: Technology, Market, and Complexity, 3(4). https://doi.org/10.1186/s40852-017-0072-1

Search via ReFindit


Schnuugg, C. (2019). Creating ArtScience Collaboration. Bringing Value to Organizations. Palgrave Macmillan.

Search via ReFindit


Skoldberg Johansson, U., Woodilla, J., & Antal Berthoin, A. (2015). Artistic Interventions in Organizations Research, theory and practice. In Routledge. https://www.routledge.com/Artistic-Interventions-in-Organizations-Research-Theory-and-Practice/Skoldberg-Woodilla-Antal/p/book/9781138497436%0A

Search via ReFindit


Sosnowska, E. (2015). Touch, Look and Listen: The Multisensory Experience in Digital Art of Japan. Journal of Science and Technology of the Arts, 7(1), 63. https://doi.org/10.7559/citarj.v7i1.147

Search via ReFindit


Szostak, M. (2020). Creativity and Artistry in Organ Music. The Organ, 391, 24–31. https://depot.ceon.pl/handle/123456789/19170

Search via ReFindit


Szostak, M. (2021a). Artistry, Management, and Creativity: Links and Common Denominators. Discourses on Culture, 16(1), 23–54. https://doi.org/10.36145/DoC2021.08

Search via ReFindit


Szostak, M. (2021b). Does Polish Post-communist Cultural Burden Influence the Perception of Creative Identities? Journal of Intercultural Management, 13(2), 29–58. https://doi.org/10.2478/joim-2021-0060

Search via ReFindit


Szostak, M. (2021c). Post-communist burden influence on the perception of creative identities: consequences for managers and leaders. European Research Studies Journal, 24(3), 282–302. https://doi.org/10.35808/ersj/2354

Search via ReFindit


Szostak, M., & Sułkowski, Ł. (2020a). Manager as an artist: Creative endeavour in crossing the borders of art and organizational discourse. Creativity Studies, 13(2), 351–368. https://doi.org/10.3846/cs.2020.11373

Search via ReFindit


Szostak, M., & Sułkowski, Ł. (2020b). Kitsch in Management: characteristic forms, carriers and propagators. Education Excellence and Innovation Management : A 2025 Vision to Sustain Economic Development during Global Challenges: Proceedings of the 35th International Business Information Management Association Conference (IBIMA), 1-2 April 2020, 7584–7598. https://depot.ceon.pl/handle/123456789/19173

Search via ReFindit


Szostak, M., & Sułkowski, Ł. (2021a). Identity crisis of artists during the COVID-19 pandemic and shift towards entrepreneurship. Entrepreneurial Business and Economics Review, 9(3), 87–102. https://doi.org/10.15678/EBER.2021.090306

Search via ReFindit


Szostak, M., & Sułkowski, Ł. (2021b). The Challenges in Identification of Artists-Managers: Consequences for creativity. Creativity Studies, 14(1), 112–124. https://doi.org/10.3846/cs.2021.13822

Search via ReFindit


Szostak, M., & Sułkowski, Ł. (2021c). The Identity and Self-Perception of Artists-Managers. Problems and Perspectives in Management, 19(1), 372–386. .2021.32 https://doi.org/10.21511/ppm.19(1)

Search via ReFindit


Tan, C. (2012). Art for/of the masses: Revisiting the Communist legacy in Chinese art. Third Text, 26(2), 177–194. https://doi.org/10.1080/09528822.2012.663974

Search via ReFindit


Tatarkiewicz, W. (2015). Historia estetyki. PWN.

Search via ReFindit


Vollero, A., Siano, A., Palazzo, M., & Amabile, S. (2020). Hoftsede’s cultural dimensions and corporate social responsibility in online communication: Are they independent constructs? Corporate Social Responsibility and Environmental Management, 27(1), 53–64. https://doi.org/10.1002/csr.1773

Search via ReFindit


Wu, J. C. (2020). From Physical to Spiritual: Defining the practice of embodied sonic meditation. Organised Sound, 25(3), 307–320. https://doi.org/10.1017/S1355771820000266

Search via ReFindit


Wu, Y., Zhang, L., Bryan-Kinns, N., & Barthet, M. (2017). Open Symphony: Creative Participation for Audiences of Live Music Performances. IEEE Multimedia, 24(1), 48–62. https://doi.org/10.1109/MMUL.2017.19

Search via ReFindit


Xue, E., Li, J., Li, T., & Shang, W. (2021). How China’s education responses to COVID-19: A perspective of policy analysis. Educational Philosophy and Theory, 53(9), 881–893. https://doi.org/10.1080/00131857.2020.1793653

Search via ReFindit


Zollo, L., Rialti, R., Marrucci, A., & Ciappei, C. (2021). How do museums foster loyalty in tech-savvy visitors? The role of social media and digital experience. Current Issues in Tourism. https://doi.org/10.1080/13683500.2021.1896487

Search via ReFindit


Zorita-Aguirre, I. (2020). Mutations in performing arts space in the digital age. Arte, Individuo y Sociedad, 32(2), 503–518. https://doi.org/10.5209/aris.65437

Search via ReFindit